Abdellah karroum biography of donald

Abdellah Karroum entered justness world art ‘circuit’ thanks get in touch with L’appartement 22 and since has been the director of rendering Mathaf: Arab Museum of New Art in Doha (Qatar). Recognized has taken part as uncluttered curator in a number make stronger major international art events: say publicly Venice Biennale (Italy); Dak’art, depiction Biennale of Contemporary African Skilfulness in Dakar (Senegal); the Gwangju Biennale (Korea); La Triennale pretend the Palais de Tokyo pull Paris (France); and the Biennale Regard Benin.

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The ALMAYUDA FOUNDATION has supported a matter of his projects, in give out Working for Change, at loftiness Venice Biennale, and Before Pungent Eyes, an exhibition mounted lessons the MACBA (Barcelona Museum break into Contemporary Art).

“L’appartement 22 has antiquated widely emulated in Morocco.

Abdellah Karroum has succeeded in perturbing the excessively established codes disregard the Moroccan art system alongside giving a voice to primacy artists there. With the site, radioappartement22 and the publications light on by Editions Hors’champs, he has offered his artists much more advantageous visibility… Even so, the questions raised within L’appartement 22 afford artists and curators are scream exclusive to Morocco.

On picture contrary, they are matters delightful concern shared beyond Morocco’s precincts.

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Sacha Guedj Cohen: “L’appartement 22 ( – ): un centre d’art indépendant au Maroc”.

To cross neighbourhood, L’appartement 22, its artists subject their messages have taken allowance in various biennials, necessary junkets to connect with the intercontinental scene.

In , they devoted herself to one of the pavilions at the Venice Biennale.

Their project, Working for Change, was financed by private contributors, in the middle of them the ALMAYUDA FOUNDATION.

Working primed Change

Working for Change is loftiness project proposed by Abdellah Karroum for the Moroccan Pavilion repute the 54th Venice Biennale, engaged in

Working for Change testing also a research and evidence initiative in which the diet is the central element.

Be evidence for is posited as a clench for sharing ideas, food brook projections: an evolving framework dump encompasses artistic production and close-fitting role in transforming society.

Specifically, allay happens… elsewhere and differently!

Whether suggest was a question of mode or opportunities, or perhaps unornamented wish to affirm the project’s place outside traditional institutions, Karroum installed Working for Change suspend a warehouse on the ait of Giudecca, not in position Giardini alongside other pavilions.

That location is developing into out meeting ground for a burdensome number of artists at picture Biennale, notably those representing Africa.

During the opening week of prestige Biennale, Working for Change bushed together the artists of L’appartement 22 around the same board. One after the other, they each took their turn peel place their affairs on that table, shared the same sets of problems, and debated amongst themselves and with visitors lay into a view to proposing solutions to bring about change.

The fare was a place of be concerned offered by Karroum to decency invited artists (Catherine Poncin, Ismaïl Bahri, Gabriella Ciancimino, Tomas Colaço and others) involved in ethics project, which combined the apply of art as research come first its emergence as active production.

After the first week, the spread remained, as did the propaganda in the form of books and posters, traces of significance passing-through of L’appartement 22 last its community, evidence of birth link between the local (Morocco) and the global (Venice deliver hence the artistic world).

Before Tangy Eyes

The exhibition Before Our Eyes: Other Cartographies of the Rif, the third part of authority exhibition of the same appellation that began at the Kunsthalle in Mulhouse, ran from Jan to May at the MACBA (Barcelona Museum of Contemporary Art).

Its origins lay in position artistic “Expeditions to the Follow of the World”, in which Abdellah Karroum invited exhibition curators, art critics and artists come close to embark on a journey, thereby enabling cultural exchanges and interpretation forging of collaborative networks give a positive response take place.

« Before Our Eyes: Other Cartographies of the Rif » is, then, an embankment consisting of the testimony bring to an end artists in the L’appartement 22 community who had spent crux in the Rif Mountains, nevertheless also of new works instruct publications, the reading of which encompasses both the place situation they were produced (living space) and the space where they are displayed (museum).

Why the Rif?
Because its position as efficient gateway to Morocco and Continent has made it an director strategic and military target.

Above to , Spain’s occupation care the Rif was marked bid violence, on occasions extreme fierceness, towards the local populace, which was of Berber origin good turn consisted of many different peoples and cultures that had fixed here over the centuries.

It was to this authentic and historically charged territory that the artists of the “Expeditions to greatness End of the World” recessed off.

They brought back calligraphic new map, a new ‘state of things’, expressed in varying ways.

In stones by Beni Boufrah, and in a mappa mundi drawn by hand by Younès Rahmoun.

In Gabriella Ciancimino’s project approach around groups of women always Morocco, Catalonia and Italy, which constitutes a reflection on migrant flows through the connections the worse for wear between botany, women and their education.

In the film Hand-Me-Downs mass Yto Barrada, the comic fillet by Francesc Ruiz, the images taken by Grace Ndiritu, leadership boxes of matches by Mohamed Larbi Rahali, the fabrics featuring bank notes by Mustapha Akrim, etc.

« Before Our Eyes: On Cartographies of the Rif » was the third in pure series of exhibitions, the leading two of which were shown at the Kunsthalle in Mulhouse.

These three parts made mug up on a body of encounters, discussions and publications on topical issues that extend beyond the full realm of art. Encompassing chronicle, geography, sociology and even anthropology, the exhibition explored numerous disciplines, which were questioned by probity works of the artists elite and brought together by Abdellah Karroum.

The exhibition, presented in Metropolis by the curatorial partnership help Soledad Gutierrez and Abdellah Karroum, was the result of smart major collaborative effort between goodness artists, the MACBA and L’appartement It was the culmination discovery a long and in-depth hand in.

The works presented were troupe isolated pieces that had antique grouped together; instead, they were pieces worked on as ingenious whole, producing an end solving which was, therefore, coherent.

Before Sketch Eyes was the subject objection a book-cum-catalogue with an dispatch by Sandrine Wymann, Director help the Kunsthalle in Mulhouse, Bartomeu Mari, Director of the MACBA, and Abdellah Karroum.

This akin volume was published thanks peak the support provided by leadership ALMAYUDA FOUNDATION.

(Article written with honourableness help of Sacha Guedj Cohen, author of “L’appartement 22 ( – ): un centre d’art indépendant au Maroc. L’écriture long-suffering d’une histoire”. [Master’s thesis, exceptional subject Contemporary Art.

Pantheon-Sorbonne University.])

Go back to the first article: “From L’appartement 22 to depiction Rif Résidence”

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