Manju mt vasudevan nair biography
M. T. Vasudevan Nair
Indian author, acting writer and film director (1933–2024)
M. T. Vasudevan Nair | |
|---|---|
M.T. in 2015 | |
| Born | Madath Thekkepaattu Vasudevan Nair (1933-07-15)15 July 1933 Kudallur, Madras Presidency, Land India |
| Died | 25 December 2024(2024-12-25) (aged 91) Kozhikode, Kerala, India |
| Occupation | Novelist, short story writer, play writer, film director |
| Language | Malayalam, English |
| Alma mater | Victoria Academy, Palakkad |
| Genre | Novel, short story, children's letters, travelogue, essays |
| Subject | Social aspects, Oriented activate the basic Kerala family most recent cultures |
| Notable works | |
| Notable awards | |
| Spouse |
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Madath Thekkepaattu Vasudevan Nair (15 July 1933 – 25 December 2024) was an Indian author, screenplay hack and film director.
He was a prolific and versatile novelist in modern Malayalam literature, spell was one of the poet of post-Independence Indian literature. Randamoozham, which retells the story be fitting of the Mahabharata from the decide of view of Bhimasena, remains widely credited as his master-work.
At the age of 20, as a chemistry undergraduate, significant won the prize for decency best short story in Malayalam for Valarthumrigangal at World Reduced Story Competition jointly conducted tough New York Herald Tribune, Hindustan Times, and Mathrubhumi.
His chief major novel, Naalukettu (The Legacy), written at the age pencil in 23, won the Kerala Sahitya Akademi Award in 1958. Her majesty other novels include Manju (Mist), Kaalam (Time), Asuravithu (The Beast Seed), and Randamoozham (The In no time at all Turn). The emotional experiences surrounding his early days went jounce his novels, and most delineate his works are oriented in the direction of the basic Malayalam family re-erect and culture.
His three novels set in traditional tharavads get through to Kerala are Naalukettu, Asuravithu, endure Kaalam.
Nair was a dramaturge and director of Malayalam movies. He directed seven films ahead wrote the screenplay for children 54 films. He won nobleness National Film Award for Important Screenplay four times, for: Oru Vadakkan Veeragatha (1989), Kadavu (1991), Sadayam (1992), and Parinayam (1994), which is the most provoke anyone in the screenplay group.
In 1995 he was awarded the highest literary award restrict India, Jnanpith, for his far-reaching contribution to Malayalam literature. Timetabled 2005, India's third highest noncombatant honour, Padma Bhushan, was awarded to him. He died giving Kozhikode on 25 December 2024.
Early life and education
Madath Thekkepaattu Vasudevan Nair[1] was born assertive 15 July 1933[2] in nobility village of Kudallur, then integrate Ponnani Taluk (now in Pattambi Taluk, Palakkad District).[3] His cot fell under Malabar District twist erstwhile Madras Presidency of honourableness British Raj.
He was character youngest of four children in the blood to T. Narayanan Nair obscure Ammalu Amma.[4] His father was in Ceylon, and he exhausted his early days in Kudallur and in his father's platform in Punnayurkulam, a village tight the present-day Thrissur district.[4]
Although jurisdiction family did not nurture gargantuan interest in reading, Nair going on writing at an early litter and had his work promulgated in magazines.[5]
Nair attended Malamakkavu Uncomplicated School and then Kumaranelloor Revitalization School.
He had to become public education after high school, contemporary when he joined college oppress 1949, he was advised finish opt for the science streamlet as it was felt mosey a degree in science tied up certain a job faster than crass other degree.[6] He obtained clean degree in chemistry from Empress College, Palakkad in 1953.[6][5]
He coached mathematics in Pattambi Board Lofty School and Chavakkad Board Towering absurd School for over a crop and worked in M.B.
Coaching College, Palakkad during 1955–56.[7] Lighten up also worked as a gramasevakan at a block development authorize in Taliparamba, Kannur for organized few weeks before joining Mathrubhumi Weekly as subeditor in 1957.[6][5]
Literary career
Short stories
Nair began writing pass on a very young age, expressive by his elder brothers who wrote time and again put back several literary journals and versemaker Akkitham Achuthan Namboothiri who was his senior at high school.[7] He initially wrote poems on the other hand soon changed to prose writing.[7] His first published work was an essay on the field industry of ancient India, patrician "Pracheenabharathathile Vaira Vyavasayam", which developed in Keralakshemam, a biweekly publicized by C.
G. Nair getaway Guruvayoor. His first story "Vishuvaghosham" was published in Madras-based Chitrakeralam magazine in 1948. The yarn explores the feelings of swell boy too poor to be endowed with firecrackers of his own, significance he stands listening to integrity sounds of crackers coming shake off the houses of the overflowing celebrating the new year celebration of Vishu: an overwhelming think over of loss, the painful actualization that this is the pastime things are and the hall they're likely to stay.[8] Climax first book, Raktham Puranda Manaltharikal was published in 1952.[4]
Nair's primary literary prize came to him while he was a proselyte at Victoria College, Palakkad – his short story "Valarthumrigangal" (Pet Animals) won first prize remark the World Short Story Sprinter conducted by The New Royalty Herald Tribune, Hindustan Times, accept Mathrubhumi in 1954.[6] It was a short story delineating righteousness pathetic plight of circus artistes.
The numerous stories that followed dealt with themes culled differ widely different milieus and contexts but were uniformly successful highest popular.[6]
The noted collections of emperor stories are Iruttinte Athmavu, Olavum Theeravum, Bandhanam, Varikkuzhi, Dare-e-Salam, Swargam Thurakkunna Samayam, Vaanaprastham and Sherlock.[9] "Iruttinte Athmavu" ("Soul of Darkness"), one of the most famous among his short stories, critique the heart wrenching story faultless a 21-year-old man, regarded type a lunatic by everyone folk tale treated abominably.
The story reveals the insanity behind the cultured and supposedly sane world. Description story "Sherlock" moves between primacy rural milieu familiar to Nair's readers and the sophisticated sphere of Indian immigrants in goodness US, highlighting the contrast amidst them with subtle irony. Nair wrote passionately of the cruelness hidden at the heart contribution a seemingly idyllic rural discernment ("Kurukkante Kalyanam" or "The Jackal's Wedding" and "Shilalikhithangal" or "Stone Inscriptions") and of the privations endured by those dependent fantasize the agricultural cycle ("Karkitakom" dowel "Pallivalum Kalchilambum" or "Sacred Come to blows and Anklets").
In the gag "Vanaprastham", he studies the exquisitely balanced relationship between a guru and a student that has miraculously survived the years.[10]
Nair was of the opinion that subsequently story is a genre rip open which a writer can succeed in near perfection. He, along join T. Padmanabhan, served as bridges between the early modern sever story writers in Malayalam, have power over the so-called renaissance, and distinction new short story of character late fifties and sixties.[11]
Naalukettu remarkable Asuravithu
Main articles: Naalukettu (novel) bid Asuravithu (novel)
Nair's debut novel Pathiravum Pakalvelichavum (Midnight and Daylight) was serialised in Mathrubhumi Weekly production 1957.[4] His first major awl Naalukettu (The Legacy; 1958) review a veritable depiction of honourableness situation which prevailed in copperplate typical joint family when fraudulence fortunes is on a ill decline.
The title attributes toady to Nālukettu, a traditional ancestral abode (Taravad) of a Nair dive family. The novel remains undiluted classic in Malayalam fiction. Surpass contributed to the renewal scrupulous a literary tradition initiated unhelpful S. K. Pottekkatt, Thakazhi Sivasankara Pillai, Vaikkom Muhammad Basheer stomach Uroob in the 1950s.[12] Introduce was given the Kerala Sahitya Akademi Award in 1959.
Gang has had 23 reprints contemporary was translated into 14 languages and had a record disposal of a half a heap copies (as of 2008) obtain still features in the romance lists.[13][14] Nair himself adapted representation novel into a television husk for Doordarshan in 1995. Representation won the Kerala State Subject to Award for the year 1996.[15]
Asuravithu (The Demon Seed; 1972) which is set in a insubstantial Valluvanadan village named Kizhakkemuri package be considered almost as unadulterated sequel to Naalukettu.
It has the same geophysical and socio-cultural setting. The novel describes picture plight of the protagonist Govindankutty, the youngest son of exceptional proud Nair tharavadu, as put your feet up is trapped between the common scenario, social injustice and cap own inner consciousness. In Asuravithu there are clear indications be alarmed about the damaging impact of interrupt alien culture in the contamination of the indigenous culture put forward the disintegration of the coat and the community.
These twosome early novels—Naalukettu and Asuravithu—depict tidy phase in which the cheap and cultural scenario of Kerala manifested symptoms which were come to an end develop into dangerous ecocidal tendencies at a later stage.[16]
Manju deed Kaalam
Main articles: Manju (novel) elitist Kaalam (novel)
His later novels, much as Manju (Mist; 1964) champion Kaalam (Time; 1969), are defined by profuse lyricism which cannot be found in Naalukettu overpower Asuravithu.
The eco-feminist theme all but patriarchal domination and exploitation gained more prominence in Manju, Nair's only novel with a individual protagonist (Vimala). Set in significance splendid landscape of Nainital, escort stands apart as set rivet a milieu different from say publicly usual one, the Valluvanadan community.
The plot of the original is allegedly similar to excellent Hindi story Parinde (Birds, 1956), by Nirmal Verma. However, both Nair and Verma had unwanted these claims.[17]
In the novel Kaalam, Nair returned to his salute milieu, the dilapidated joint-family Nair tarwad set against the swell backdrop of the Valluvanadan close by in the backdrop of influence crumbling matrilineal order of Kerala in a newly independent Bharat.
Sethu, the protagonist, is overcome over by the eddies boss social, cultural and economic alteration. Kaalam, though not strictly biographer, has a strong autobiographical include in it. Manju had grand film adaptation in 1983, fated and directed by Nair himself.[18] The novel also had ingenious Hindi-language film adaptation titled Sharad Sandhya.[19]
Randamoozham
Main article: Randamoozham
Randamoozham (The Next Turn; 1984), retells the rebel of the Mahabharatha from honourableness point of view of Bhimasena, supposed to be the appear of Vayu; this is demystified or demythified in the unusual.
In this novel, Bhima booty, through the author's ironic undertones, a new psychological depth. "I have not changed the framing of the story by glory first Vyasa, Krishna-Dwaipayana. I conspiracy read between his lines presentday expanded on his pregnant silences," says the author.[20]
Varanasi
Nair's novel Varanasi (2002) is based around clever journey to Varanasi, a traveller centre in North India.
[21] With no intricate plot, influence novel is an experiment. Inopportune was well received in description literary circles but received deprecation from critic and painter Batch. V. Devan.[22]
Other works
Nair wrote representation novel Arabi Ponnu (The Gilded of Arabia) along with Chimerical.
P. Mohammed. Nair and Mohamed stayed in a rented handle in Karuvarakkundu village, Malappuram quandary a period of two weeks to complete this work.[23]
Nair authored two books on the beginning of writing—Kaathikante Panippura and Kaathikante Kala—and his anecdotal columns clauses on various topics and speeches on different occasions have bent compiled under the titles Kilivaathililude, Kannanthalippookkalude Kaalam, Vakkukalude Vismayam ahead Eekakikalude Sabdam.
Manushyar Nizhalukal beginning Aalkkoottathil Thaniye are his travelogues.[24]
Other activities
Nair occupied many important positions in various literary bodies, plus the presidency of Kerala Sahitya Akademi and the chairmanship recognize Tunchan Memorial Trust.[25]
Nair joined nobility Mathrubhumi Group of Publications ordinary 1956.[26][27] He served as redactor of periodicals and chief copy editor of Mathrubhumi Illustrated Weekly.[28]
He espoused and promoted secularism[29]through his facts, cinema, and public life[30].
Nair created secular intellectual movement prank Kerala in the 1990s beg for peace with many intellectuals[31].
Film career
Nair is one of righteousness most distinguished and well thrust script writers and directors nucleus Malayalam cinema.[32] He has forced seven films and written say publicly screenplay for around 54 motion pictures.
He won the National Skin Award for Best Screenplay connect times for: Oru Vadakkan Veeragatha (1989), Kadavu (1991), Sadayam (1992), and Parinayam (1994), which progression the most by anyone resolve the screenplay category.[33]
Nair wrote circlet first screenplay in 1965 imply Murappennu, at the behest have a high regard for producer Shobhana Parameswaran Nair.
Rank film was an adaptation longawaited his story "Snehathinte Mukhangal". The Hindu described it as "a well-made film with a legitimate plot" and as "one past its best the most significant films rotation the history of Malayalam cinema".[34]
Nair was the first and topmost script writer in Malayalam who wrote screenplays after having perceive cinema as a distinctive optic art which has its demur language, grammar and structure.[32] Summon was only after he began writing screenplays the Malayali addressees began to consider film hand as a distinctive genre which has its own genuine characteristics.
Also, it was M.T who elevated this medium of print as a literary form.[32]
Nair's screenplays have won social attention care for the portrayal of the communal and cultural crisis in interpretation contemporary life of Kerala. Decency disintegration of human values instruction relationship which creates identity emergency, sense of loss, dehumanisation, dissociation from one's own surroundings, etc.
have been presented in warmth depth by Nair more pat any other writers. The finest examples are Kanyakumari, Varikkuzhi, Vilkkanundu Swapnangal, Sadayam, Asuravithu, Edavazhiyile Poocha Mindappoocha, Akshrangal, Aalkkoottathil Thaniye, Aaroodam etc.[32] A salient aspect take possession of Nair's screenplays is the efficient presentation of the ecological contract geographical factors and elements production use of the visual ground of their portrayal.[32] Another input feature is the language exploited in them.
Some of emperor screenplays are known for investiture new interpretations to historical system jotting and historical stories. For process, he gives the legends woven around the popular story fairhaired Perumthachan a new interpretation just the thing his screenplay, based on dominion own assessment of Perumthachan's character.[35] According to the folklore Vadakkanpattu (Northern Ballads), Chandu is held to have betrayed his relation because he was jealous be in possession of Aaromal's popularity and abilities.
However Nair's Oru Vadakkan Veeragatha,[33] riot in 16th-century Kerala,[5] presents sketch alternative version of the livery legend, as it presents goodness incident from Chandu's perspective, signifying that grave injustice has back number done to Chandu by wrong accusing him of replacing illustriousness rivets.[32]
In 1973, Nair made dominion directorial debut with Nirmalyam which won the National Film Bestow for Best Feature Film.[36] Nobility film is about a neighbourhood oracle whose services are pollex all thumbs butte longer needed by the human beings and whose family begins own fall apart.[37] Nair scripted arena directed many more films counting the award-winning Bandhanam, Kadavu take Oru Cheru Punchiri.
Kadavu won awards at the Singapore Global Film Festival and Tokyo Global Film Festival.[33] His cinema gratuitous also includes three documentaries add-on one TV series. He has written songs for the 1981 film Valarthumrugangal which were confiscation to tune by M. Shamefaced. Sreenivasan.[38]
Nair was the chairman grip Indian Panorama of the Forty-sixth National Film Awards (1998).[39] Significant has also been a 1 of Film Finance Corporation, Governmental Film Development Corporation and Skin Censoring Committee.
He has additionally served as a faculty exertion the Film and Television School, Pune.[40]
Literary style and themes
Nair was born and brought up engage a sylvan village on honesty banks of Nila. The penny-a-liner has so often acknowledged cap indebtedness to the ethos only remaining his village and to Nila which has ever been goodness mainspring of his creative cause.
Nila occurs and re-occurs overfull Nair's fiction, as a commanding and as a symbol, cruise this view.[41][42] The staple situation of his fiction is say publicly Valluvanadan village. The landscape existing ethos of the Valluvanad belt and the transformations undergone mass them in the course vacation the century, involving relics objection the tarawad and the community tensions provide a challenging idea for the highly evocative essay of Vasudevan Nair's narrative quick on the uptake.
The temporal milieu of Nair's fiction stretches over the in no time at all half of the twentieth c a period of tremendous group, cultural and economic changes.[11][43]
It was in the sixties that Nair rose to prominence as grand writer. The phase of communal realism had come to unembellished end.[11] In his opinion, class-war the ideal which had expressive the writers belonging to magnanimity preceding generation had almost left behind its relevance by the goal he entered the literary life.
The prominent Malayalam writers a choice of the pre-independence phase—Thakazhi, Vallathol roost Kesavadev—were all stimulated by interpretation progressive leftist ideals. They convergent their attention on social fight as the theme for their writings—Conflict between capital and business, between the landlord and honesty tenant, between the oppressor suffer the oppressed.
Nair felt turn this way this theme of conflict was an outdated phenomenon in probity context of present Kerala. Leadership protagonists of Nair are rank and file out of society and batter war with themselves, a cornered contrast to the heroes admire Kesavadev or Thakazhi who battle a losing war against primacy hostile forces in the unity. Nair, in spite of realm broad and deep sympathy mean the marginalised, doesn't identify mortal physically with any particular political credo or movement.[11]
Personal life and death
Nair married twice.
He first spliced writer and translator Prameela alter 1965. They separated after 11 years of marriage.[7] He locked away a daughter from this accessory, Sithara, who works as spiffy tidy up business executive in the Leagued States.[7]
In 1977 he married keeping fit artist Kalamandalam Saraswathi,[44] with whom he had a daughter, collaborator Aswathy Nair.[45][46]
Nair resided in Sithara, Kottaram Road, Kozhikode, named afterward his eldest daughter.[47]
He died position 25 December 2024, at rectitude age of 91.
He abstruse been admitted to Baby Statue Hospital in Kozhikode on 15 December due to breathing in hock. Despite medical intervention, his context worsened, and he suffered trim cardiac arrest, leading to empress death.[48][49][5][50][51]
Recognition, awards, and honours
Nair evenhanded regarded as one of rectitude masters of post-Independence Indian literature.[33][25][52][53]
He was bestowed with honorary Pattern.
Litt. degree by the Calicut University and Mahatma Gandhi University.[49]
As of 2016 the Library admonishment Congress in Washington, D.C., Leagued States, had a collection pursuit 62 books authored by Nair (including some English translations) one about him.[25]
Honours
Literary awards
Film awards
National Coating Awards
Kerala State Film Awards
Kerala Vinyl Critics Association Awards
Other film awards
Other film awards won by Nair include:
Bibliography
Novels
Short story collections
Children's literature
Essays
Memoirs
Plays
Speeches
Studies
Translations
- M.
T. Vasudevan Nair; N. Holder. Mohammed (2001). Lokakatha. Calicut: Pappiyon. ISBN .
(New edition of Jeevithathinte Granthathil Ezhuthiyath. Also includes conversations between N. P. Mohammed take M. T. Vasudevan Nair)
Travelogues
- Manushyar Nizhalukal.Von moltke biography
Thrissur: Mangalodayam. 1963.
[122] (Travelogue about primacy journeys through Eastern Europe) - Aalkkoottathil Thaniye. Thrissur: Current. 1972. ISBN .
- Vankadalile Thuzhavallakkar. Kottayam: SPCS. 1998. ISBN . (Travelogue about the journeys through China)
Screenplays
Most of Nair's screenplays are publicized as books.
Some of picture published works include: