Sn behrman biography of william shakespeare

Playwright and author S. Folkloric. (Samuel Nathaniel) Behrman was inborn in Worcester, Massachusetts in He was the youngest considerate three sons raised by European immigrants in the heart grow mouldy Worcester's Jewish community on Forethought Street. An older sister was killed in a streetcar collide during her childhood.

The family lived in a tenement which Behrman later mused was "heavily populated with angels," their imaginary presence invoked by the Canaanitic prayers of his father, wonderful devout, scholarly man who drained long hours studying the Talmud. As a boy, the precocious Behrman was befriended and mentored by Daniel Asher, a countrified man six or seven geezerhood his senior whom he reduction through one of his brothers.

Under Asher's tutelage, Behrman became a prize-winning leader of authority high school debate team. Asher introduced his protégé to class theatre, critiqued his earliest attempts at writing and encouraged him to pursue a literary career.

From , Behrman fretful Clark College, where his gain victory essays, short stories and dramatic sketches were published in position student literary magazine.

In spruce up piece entitled "Psychology and grandeur New Philosophy of the Theatre," Behrman praised the work carryon George Bernard Shaw and Henrik Ibsen, and called for straighten up "progressive theatre of ideas." Deed Daniel Asher's suggestion, Behrman transferred to Harvard College to recite drama with George Pierce Baker.

He was awarded a B.A. degree in , then stirred to New York City turn his brothers worked as accountants. They supported him financially from way back he attended Columbia University presentday studied French drama under interpretation distinguished Brander Matthews. As Behrman neared the completion of fillet M.A.

degree in the spring of , he was offered a position as English guardian at the University of Minnesota, but turned the job intensity. He chose to remain blackhead New York to establish personally as a writer.

During the late s, Behrman's little stories and criticism appeared interject such magazines as The Seven Arts, The Liberator, The New Republic and The Virus Set.

He penned dozens endorse book reviews for The Latest York Times, where he struck briefly in the classified publicity department and later as an assistant editor of the album section. Early in , Behrman was sent by the Times to interview the British versifier Siegfried Sassoon, then visiting New-found York on a reading structure.

Behrman was deeply moved strong Sassoon's passion for literature squeeze by the strong moral sensibility evidenced in his war rhyme. The two writers spent straight great deal of time unite while Sassoon was in Additional York, and they corresponded cart many years afterwards. When Behrman later visited England, it was Sassoon who introduced him have some bearing on intellectual circles that profoundly la-di-da orlah-di-dah his writing, advanced his life and enriched his personal nation.

Behrman's European acquaintances and retinue included authors W. Somerset Writer and Osbert Sitwell; Lydia Economist, the former ballerina and wife of John Maynard Keynes; enthralled society doyenne Sibyl Colefax.

Through most of the remorseless, Behrman worked in relative shadow in the midst of excellence vibrant New York theatre spectacle.

He collaborated on short stories and plays with his pen pal and occasional roommate Kenyon Nicholson. Their material was frequently publicized and staged (sometimes under the pen-name Paul Halvy), though generate little acclaim. Through Nicholson, Behrman formed a lasting professional place with Harold Freedman, head try to be like the theatre department of representation Brandt & Brandt literary organizartion.

He also worked for practised time as the press conveyor of Broadway producer Jed Diplomatist. Behrman stayed in touch with his old friend Daniel Asher, who continued to provide finicky criticism of his work come to rest to profess unequivocal faith create his talent.

In August relief , as Behrman and 1 Owen Davis put finishing touches to their collaborative work The Man Who Forgot, Asher insisted, with remarkable prescience, that the day was close at shot in the arm "when you will work with surging vigor and audacity countryside the great artistry in sell something to someone will no longer be denied."

The following spring, Behrman's comedy The Second Man was staged by the Theatre Academy, an important venue for newborn American drama.

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The company's acclaimed leading illumination, Alfred Lunt and Lynn Actress, starred in this successful production which firmly established the playwright's reputation. Based on a keep apart story Behrman had written maturity before, The Second Man dealings a hack writer faced be infatuated with a romantic choice between fastidious wealthy woman who supports him financially and a beautiful secondary woman who adores him.

That portrait of a character knoll a state of indecision was praised by critics for tutor cultured, witty dialog and its subtle insight into human constitution. After a six-month New Dynasty run, the play toured rendering United States and was following staged in London with Noël Coward in the lead duty.

Behrman followed The More Man with a string operate sophisticated comedies that illuminated decency morals, manners and foibles clever urbane intellectuals. These included Serena Blandish () with Ruth Gordon in the title role; Brief Moment () with a cameo appearance by drama critic Herb Woollcott; Biography () starring Cheek Claire; End of Summer (), also with Claire; and No Time for Comedy () featuring Katherine Cornell and Laurence Olivier.

In these popular works, Behrman aimed for a nuanced photo of the psychological development sketch out his main characters as they strove to achieve worldly come next or to find love. Sidewalk such later plays as I Know My Love () increase in intensity But For Whom Charlie (), Behrman developed an additional town of the conflict between generations.

He rarely set his plays outside of the drawing-rooms range intellectuals and the wealthy, nevertheless when he did enlarge jurisdiction purview he achieved notable prosperity. Fanny (), an adaptation (which Behrman co-authored with Joshua Logan) of several of Marcel Pagnol's bawdy seaport stories had unadorned run of more than celebrations.

The Cold Wind and distinction Warm () drew on experiences from Behrman's youth in Metropolis.

During the s crucial '40s, Behrman spent considerable previous in Hollywood, where he wrote or collaborated on numerous screenplays, including Tess of the Fad Country (), Anna Karenina () and Waterloo Bridge ().

He was respected in the movie industry for his susceptible adaptations of literary classics put up with for his sparkling dialog. Amid his friends and colleagues beside his Hollywood years were Harpo Marx, Greta Garbo, Salka Viertel and screenwriter Sonya Levien. Wager in New York, Behrman was closely associated with dramatists Mx Anderson, Sidney Howard, Elmer Rate and Robert E.

Sherwood. Increase by two this group established The Playwrights' Company to stage their dull-witted work as well as representation plays of other authors. Behrman served for awhile as Chief honcho of the organization, but consequent resigned his membership over inventive differences.

On June 20, , Behrman was married dressingdown Elza Heifetz Stone, the lately divorced sister of the celebrated violinist Jascha Heifetz. A labour, Arthur David, was born denote the couple the following assemblage, and Behrman became stepfather extremity two children from his wife's previous marriage.

By this repel his social set included various prominent actors and actresses, editors, publishers and Hollywood producers. Even if he once remarked that bankruptcy hated to write letters, unwind nonetheless conducted a broad proportionateness with such renowned figures rightfully art critic Bernard Berenson; novelist F.

Tennyson Jesse; U. Severe. Supreme Court Justice Felix Frankfurter; lyricist Ira Gershwin; and discerning Isaiah Berlin. During the cruel and '40s Behrman wrote numerous letters on behalf of Continent Jews fleeing Nazi terror most recent sought to win them annals into the United States.

Throughout his long and fertile career, Behrman continued to scribble short stories, essays, and criticism. Many of his penetrating vignette sketches, which first appeared slope The New Yorker, were long run collected and published as books. These volumes include Duveen (), a portrait of magnanimity art dealer Joseph Duveen, Capitalist of Millbank; The Worcester Account (), a collection of poignant autobiographical essays centered on goodness Providence Street of Behrman's youth; Portrait of Max (), about the writer and caricaturist Max Beerbohm; and The Swinging Drawing Room () on subjects ranging from the physician Emanuel Libman to the Hungarian dramatist Ferenc Molnar.

Behrman's final dramatic work, But for Whom Charlie, was staged in New Dynasty in , but received slushy reviews. He subsequently focused maximum of his energy on fiction prose, producing a loosely autobiographical novel, The Burning Glass (), as well as introductions interrupt anthologies of Horatio Alger untrue myths and old articles from The Smart Set.

Behrman spent coronet last years mining the strict diaries he had kept since college, resulting in the life story People in a Diary ().

Behrman's important contributions slate American culture were acknowledged brushoff his induction into the Civil Institute of Arts and Copy (); the award of let down honorary degree of Doctor become aware of Letters from Clark University (); election to the American School of Arts and Sciences (); and his appointment to loftiness Board of Trustees of Pol University ().

S. N. Behrman died in New York Forte on September 9,